RedKalion
10 29 52 1952- - Helen Frankenthaler 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
10 29 52 1952- - Helen Frankenthaler 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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Elevate Your Space with Helen Frankenthaler’s 10 29 52
Experience the lyrical abstraction of the mid-century avant-garde with this museum-quality reproduction of 10 29 52 by Helen Frankenthaler. Created during her most transformative year—the same year she produced the seminal Mountains and Sea—this work showcases the nascent stages of her revolutionary 'soak-stain' technique. The piece vibrates with fluid gestures and organic transparency, bridging the gap between Abstract Expressionism and Color Field painting.
Archival Craftsmanship by RedKalion
At RedKalion, we curate art for the discerning collector. This Helen Frankenthaler fine art print is meticulously reproduced on 250 gsm (110 lb) archival museum-quality paper. The natural white, matte, and uncoated finish ensures that the subtle shifts in hue and the artist's delicate calligraphic lines are preserved with breathtaking clarity and zero glare. Every detail is designed to endure for generations, resisting the yellowing common in lesser prints.
Premium Framing & Materials
This masterpiece arrives in a professional black wooden frame, expertly crafted from responsibly sourced oak and ash. Measuring 20mm (0.79") in both thickness and width, this frame offers a more substantial and sophisticated profile than standard retail alternatives. Protected by shatterproof, transparent plexiglass, the artwork is shielded from dust and damage while maintaining perfect visibility. Each order includes a pre-installed hanging kit, ensuring your investment is ready to hang the moment it arrives.
- Artist: Helen Frankenthaler
- Title: 10 29 52 (1952)
- Paper: 250 gsm archival, FSC-certified matte paper
- Frame: 20mm premium black oak/ash wood
- Protection: Shatterproof plexiglass for long-term preservation
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes the paper quality museum-grade?
We use 250 gsm (110 lb) archival paper, which is significantly heavier than standard prints. It is acid-free, natural white, and uncoated, ensuring the colors remain vibrant and the paper does not yellow over time.
Is the frame made of real wood?
Yes, our frames are made from premium, responsibly sourced oak and ash wood. They feature a 20mm profile, providing a sturdy, gallery-standard aesthetic that is superior to typical 14mm frames.
How is the artwork protected during shipping and display?
Each print is protected by shatterproof, high-clarity plexiglass and shipped in robust packaging. This ensures your Helen Frankenthaler print arrives in pristine condition and remains safe from breakage in your home.
Is this product environmentally friendly?
Absolutely. RedKalion uses FSC-certified materials or equivalent certifications depending on regional availability, supporting sustainable forest management for both our paper and wooden frames.
Does the print come ready to hang?
Yes, your framed art print includes a high-quality hanging kit. It is designed to be ready to hang directly on your wall immediately upon unboxing.
What is the significance of the title 10 29 52?
The title 10 29 52 refers to the date the artwork was completed: October 29, 1952. This period was pivotal for Frankenthaler as she moved away from traditional gestures toward her signature soak-stain style.
How does this print represent the Color Field movement?
This work illustrates Frankenthaler’s role in Color Field painting by emphasizing the flatness of the canvas and the atmospheric use of color, moving beyond the aggressive brushwork of her contemporaries.