RedKalion
20574 - 1974 - John Hoyland 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
20574 - 1974 - John Hoyland 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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Immerse Yourself in the Abstract Power of John Hoyland’s 1974 Masterpiece
Experience the profound emotional resonance of British abstraction with this museum-quality reproduction of John Hoyland’s 1974. As a leading figure in 20th-century Post-Painterly Abstraction, Hoyland’s work from the mid-1970s represents a pivotal shift toward more structured, tactile compositions. This specific piece captures his mastery of color and form, offering a sophisticated 'window' into the depth of non-representational art. At the impressive scale of 70x100 cm (28x40 inches), this framed art print serves as a commanding focal point for any contemporary interior.
Archival Materials for the Discerning Collector
At RedKalion, we believe that great art deserves an equally exceptional canvas. This work is printed on 250 gsm (110 lb) archival museum-quality paper. This heavy-weight, natural white paper features a matte, uncoated finish that eliminates glare while preserving the nuanced textures of Hoyland’s original brushwork. Our commitment to sustainability is reflected in our choice of FSC-certified materials, ensuring your investment in art also supports responsible forestry.
Premium Framing and Protection
The artwork is elegantly housed in a 20mm (0.79") thick and wide black wooden frame, crafted from responsibly sourced oak and ash. Unlike standard 14mm frames, our 20mm profile provides a substantial, gallery-grade presence that complements the bold geometry of Hoyland’s 1974 era. To ensure your piece remains pristine for generations, it is protected by shatterproof plexiglass, providing crystal-clear visibility with superior durability. Each print arrives ready-to-hang with a professional hanging kit included, allowing you to elevate your space the moment it arrives.
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the exact dimensions of this John Hoyland framed print?
This print measures 70x100 cm (28x40 inches). The frame adds a 20mm (0.79") border on all sides, creating a substantial and authoritative presence on your wall.
What type of paper is used for this museum-quality reproduction?
We use 250 gsm (110 lb) natural white, archival-grade paper. It is matte and uncoated to ensure no reflections interfere with the viewing of Hoyland's complex color palette.
Is the framing material sustainable and durable?
Yes, the frame is made from responsibly sourced oak and ash wood. It features a shatterproof plexiglass cover, offering better protection and clarity than standard glass while remaining lightweight.
How does the 'ready-to-hang' feature work?
Your RedKalion print arrives fully assembled in its black wooden frame. A complete hanging kit is included in the box, making the installation process effortless and secure.
How long will the colors of this fine art print last?
Our use of 250 gsm archival paper and acid-free materials ensures that this print is resistant to yellowing and fading, preserving Hoyland's vibrant 1974 vision for decades.
Who was John Hoyland and why is his 1974 work significant?
John Hoyland was a premier British abstract artist. His 1974 works are celebrated for their transition into more architectural, layered compositions that emphasize the physical presence of color.
What defines the aesthetic of Hoyland's mid-70s period?
During this era, Hoyland moved away from stained canvases toward thicker textures and central rectangular motifs, creating a sense of 'painting as an object' rather than just a flat surface.