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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What defines the quality of this Max Bill acrylic print?
Our Max Bill prints utilize 4mm high-grade acrylic, providing a sleek, vibrant finish that enhances color depth. This museum-quality material ensures durability and a professional gallery-style appearance that surpasses traditional glass or canvas.
How is the artwork mounted and displayed?
Each print includes a premium hanging kit with four screws. The acrylic features pre-drilled 8mm holes located 14mm from each corner, allowing for a secure and contemporary installation with 15mm screw heads.
Is the print archival and fade-resistant?
Yes, RedKalion uses archival-grade processes. The 4mm acrylic protects the pigments from UV exposure and environmental wear, ensuring that the vibrant 'Acht farben' remain vivid and true to the 1965 original for years.
How does RedKalion handle shipping and protection?
We specialize in white-glove logistics. Each acrylic piece is securely packaged with protective layering to prevent scratches or impact damage during transit, ensuring your Max Bill wall art arrives in pristine condition.
What are the specific dimensions for this piece?
This specific edition is produced in a 70x100 cm (approximately 28x40 inches) format, a standard gallery size that highlights the intricate horizontal and diagonal relationships within Max Bill’s geometric composition.
What is the significance of the 'Concrete Art' movement in this piece?
Concrete Art, a term popularized by Max Bill, refers to art that is entirely self-referential. In this 1965 work, the forms and colors do not represent outside objects but exist as purely mathematical and visual realities.
How does Max Bill use geometry in 'Acht farben im horizontal-diagonal-quadtrat'?
Bill utilizes a modular grid where horizontal and diagonal axes intersect. This creates a rhythmic distribution of eight distinct colors, achieving a 'mathematical beauty' where every element is logically placed yet visually dynamic.
