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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
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What defines the physical quality of this Ad Reinhardt print?
This print is produced on Master's Edition 250 gsm archival paper. It features a matte, uncoated finish and a natural white base, providing a luxurious, museum-quality texture that prevents glare and ensures long-lasting color integrity.
How does the acid-free nature of the paper benefit the artwork?
Our acid-free paper has a pH level above 7, which prevents the material from yellowing or becoming brittle over time. This archival standard ensures that Ad Reinhardt’s Number 107 remains as vibrant as the day it was printed.
What is the historical significance of Number 107 (1950)?
Created in 1950, Number 107 marks Reinhardt's transition from more active abstractions toward the structured, monochromatic grids of his later career. It is a vital example of his philosophy of 'art-as-art,' emphasizing pure aesthetic contemplation.
Is the paper used for this fine art poster sustainable?
Yes, RedKalion uses FSC-certified paper (or equivalent regional certifications). This ensures that your museum-quality reproduction is printed on materials sourced from responsibly managed forests, supporting environmental sustainability.
How is the print packaged and fulfilled for shipping?
Every order is fulfilled on-demand with no minimum requirements. Each print is meticulously handled and packaged in protective materials to ensure it arrives at your door in pristine, gallery-ready condition.
What is the thickness and weight of the paper?
The paper boasts a weight of 250 gsm (110 lb) and a thickness of 0.29 mm (11.4 mils). This provides a heavy, premium feel that distinguishes it from standard posters, aligning with professional gallery standards.
Why is Ad Reinhardt considered a precursor to Minimalism?
Reinhardt's focus on non-objective painting and his rejection of emotional brushwork paved the way for Minimalism. His 'all-over' grid patterns and restricted palettes challenged viewers to find meaning in the act of seeing itself.
