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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes the BREATHE (1966) print museum-quality?
Our Bridget Riley prints use 250 gsm archival-grade paper and light-fast inks. This museum-quality standard ensures the deep blacks and crisp whites remain sharp and resist fading for decades, maintaining the integrity of the Op Art illusion.
Is the black wooden frame included and ready to hang?
Yes, your BREATHE (1966) art print arrives professionally mounted in a black ash or oak frame. It includes a complete hanging kit, allowing you to display this masterpiece directly upon arrival without further assembly.
How is the artwork protected from environmental damage?
Each framed print is protected by high-quality, shatterproof plexiglass. This provides superior protection against dust and impact while maintaining visual clarity, ensuring your Bridget Riley reproduction stays in gallery condition.
Is the paper used for this fine art print sustainable?
RedKalion is committed to sustainability. We use FSC-certified paper or equivalent regional standards, ensuring that the museum-quality materials for your Bridget Riley print are sourced from responsibly managed forests.
What are the exact dimensions of the frame profile?
The black wooden frame features a 20mm (0.79") width and thickness. This profile is sturdier and more visually commanding than the standard 14mm frames, providing a premium, contemporary look for your space.
What artistic movement does Bridget Riley’s BREATHE belong to?
BREATHE (1966) is a landmark piece of the Op Art (Optical Art) movement. It focuses on how geometric shapes and monochromatic patterns can create the illusion of movement and psychological tension within the viewer's eye.
Why did Bridget Riley choose a monochromatic palette for this piece?
During the 1960s, Riley focused on black and white to isolate the effects of light and form. By removing color, she forced the viewer to engage directly with the structural rhythm and the optical vibration of the lines.
