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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes RedKalion’s Composition (1957) print museum-quality?
Our Walasse Ting prints are reproduced on 250 gsm acid-free, FSC-certified paper with a matte, uncoated finish, ensuring archival longevity and a gallery-worthy presentation that mirrors the original artwork’s depth and texture.
How does the paper’s off-white tone affect the artwork’s appearance?
The natural white (off-white) paper enhances the vibrancy of Ting’s colors while reducing glare, creating a soft, luminous effect that highlights the print’s fine details and brushwork.
Is this Walasse Ting poster suitable for framing?
Absolutely. The 100x150 cm (40x60″ inches) size is ideal for standard large-format frames, and the 0.29 mm thickness ensures durability. For best results, use acid-free matting to preserve the print’s archival quality.
How does RedKalion ensure the print’s longevity?
Our Master’s Edition paper is acid-free (pH >7) and FSC-certified, preventing yellowing and deterioration. Combined with archival inks, this guarantees your fine art print remains vibrant for decades.
What are the shipping options for this large-format print?
We ship Walasse Ting prints in sturdy, protective tubes to prevent creasing. Expedited and international shipping are available, with tracking included for all orders. Delivery times vary by location.
Why did Walasse Ting use such bold colors in Composition (1957)?
Ting’s vibrant palette reflects his dual heritage—Chinese ink traditions and European Expressionism—merged with the CoBrA group’s rebellious spirit. His colors evoke emotion and movement, a hallmark of his avant-garde style.
How does Composition (1957) fit into the CoBrA movement?
This piece exemplifies CoBrA’s ethos: spontaneous, childlike energy fused with raw emotional expression. Ting’s work stood out for its lyrical abstraction, bridging Eastern calligraphy and Western modernism.
