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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What is the artwork "DISEMBODIED HANDS" by Louise Bourgeois?
"DISEMBODIED HANDS" is a significant 1990 artwork by Louise Bourgeois, exploring themes of the body and psyche. This fine art print offers a museum-quality reproduction of her powerful original piece.
What are the specifications of the paper used for this fine art print?
This museum-quality reproduction is printed on 250 gsm (110 lb) matte, uncoated, natural white paper. It has a thickness of 0.29 mm (11.4 mils) for archival longevity and a premium feel.
What materials are used for the frame and protection?
The frame is made from responsibly sourced oak and ash wood, measuring 20mm (0.79") thick and wide. The print is protected by shatterproof plexiglass.
Is the artwork ready to hang upon arrival?
Yes, this framed art print is ready to hang. It includes a convenient hanging kit, ensuring you can display your archival masterpiece immediately.
What makes this print an archival, museum-quality reproduction?
It utilizes archival, museum-quality paper with a substantial gsm and thickness, printed with precision to capture Bourgeois's original intent for lasting visual integrity.
What is the significance of Louise Bourgeois's "DISEMBODIED HANDS" in art history?
Created in 1990, "DISEMBODIED HANDS" is a key work by Louise Bourgeois, reflecting her lifelong interest in psychological themes and the human form.
How does the matte, uncoated paper finish affect the viewing experience?
The matte, uncoated finish provides a natural white, glare-free surface, enhancing the subtle details and emotional depth of Louise Bourgeois's "DISEMBODIED HANDS" without distracting reflections.
