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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What are the dimensions of this Gene Davis Untitled #150 fine art print?
This museum-quality reproduction measures 75x100 cm (30x40 inches), perfectly capturing the scale and impact of Davis's original 1971 artwork for your space.
What type of paper is used for this archival fine art poster?
It's printed on Master's Edition archival paper, featuring a matte, uncoated finish and natural white texture for a luxurious, gallery-grade appearance that prevents glare.
How is this print shipped and are there minimum orders?
We print and ship on demand with no minimum orders, ensuring fast fulfillment and careful packaging to deliver your Gene Davis artwork securely.
Is this acid-free print resistant to yellowing over time?
Yes, it uses acid-free paper with a pH above 7, designed for archival longevity to prevent yellowing and preserve the vibrant colors of this 1971 masterpiece.
What is the weight and thickness of this museum-quality reproduction?
This fine art poster has a premium weight of 250 gsm (110 lb) and a thickness of 0.29 mm (11.4 mils), offering durability and a substantial feel.
Who was Gene Davis and what is the significance of Untitled #150?
Gene Davis was a key figure in the Washington Color School, known for his striped paintings. Untitled #150 (1971) exemplifies his exploration of color rhythm and optical effects through precise vertical bands.
How does the matte finish enhance this Gene Davis artwork reproduction?
The matte, uncoated finish reduces glare, provides a natural texture, and allows the colors of this 1971 abstract piece to appear rich and true to Davis's original vision.
